Re:
Well put, Ms. Debonair (aka Giovani).
You are, indeed, "a rockstar like that" (and not just because, according to your YouTube profile, you live in Washington.)
Re:
Well put, Ms. Debonair (aka Giovani).
You are, indeed, "a rockstar like that" (and not just because, according to your YouTube profile, you live in Washington.)
I can't even find time to update my old baby blog, much less the one on the cool train I so hesitantly boarded and fell asleep on. And every time I return to Typepad, I don't even recognize the interface. It's like Typepad went through puberty and I was spared the awkward stage where it's greasy and smells weird.
I'm so damn brizzy, but in a good way. I fled my TV job of which I grew tired quickly. Somehow, I've managed to parlay writing about David Gest and Black Pigpen into a full-time writing gig (freelancing full time, that is). And it's amazing, albeit surprisingly exhausting. But as any resident of literary/dykey Park Slope, Brooklyn should, I have voluntarily joined the laptop army, busting out blog posts from neighborhood coffee shops not cheap enough to charge $6 for a one-time session of WiFi use (I used to love your foamy chai latte, Ozzie's, until your penny-pinching left a sour taste in my mouth).
I will definitely try to reclaim my home territory and pump out some more insane warbling here on Fast Hugs, but in the meantime, you can catch up with me at the following sites:
Oh, and I got a dog!
He's a 4 year old schnauzer/shih tzu mix named Atticus, and he's obssesed with me. I rescued him from a crazy awesome lady who has 25 dogs in her house. (She can't afford it, but then again, who can afford housing 25 dogs?)
Anyway, have a great summer! Sorry we didn't get to know each other better 6-:
I get the aspirational aspect of Sex And The City, and how the representation of professional urban women as unapologetically promiscuous can be considered healthy and progressive. And I get that some find Sarah Jessica Parker's squealing pixie protagonist - especially when dressed like a toddler who got into Crazy Aunt Susan's closet - appealing in a manner reeking of mass-produced "quirk." I get it, I really do.
But one crime of which I find the show undeniably guilty is the minstrelsy that played out with the addition of Mario Cantone's character, Anthony. I only saw most of the first several seasons (and lost interest by the time Cynthia Nixon stopped looking like Ed Begley, Jr.), but in catching bits and pieces of later seasons, I was nauseated by the addition of Homo #2 as Charlotte's faggy accessory to Carrie's plaid-happy gay BFF, Stanford Blatt. At best, Stanford was at least "soft and cuddly," and his sassy puns fit in alongside the same dreck that came out of every other character's mouth (sorry, but nobody - from Manhattan to Manhattan, Kansas - speaks like they're in a Neil Simon play with stupid hats). But Anthony, from what I've seen, is no different from Mario Cantone, the bitchy Italian monster whose staid antics - yelling! bitching! cursing! CUZ HE'S GAAAAAY! - have earned him a small following (I guess?). In this case, art imitates life it seems, and both cases constitute loud noise and leather jackets, two things of which I'm not fond.
When I was a kid, I used to watch this Saturday morning show that was local to the New York area (on WWOR, channel 9). It was the weirdest show where everything took place, like, in the sewers? And it was hosted by this dude who was loud and bonkers, and all I really remember is him scaring Jodi Benson shitless. The show was called Steampipe Alley, and lo and behold, a clip lives on YouTube:
It's official: once a shrieking homomonster, always a shrieking homomonster.
[Footnote: I'm gay, so I'm allowed to spew homophobic slurs.]
Ugh, I need time to watch TV. I really do. My heart lies with Battlestar Galactica, Lost, 30 Rock, The Soup and The Office. Eventually (by which I mean in the next few years), I plan to catch up on Friday Night Lights, The Riches, Mad Men, Damages and The Wire. And there are more shows after that, too.
However, in between catching glimpses of The Dog Whisperer, Degrassi, and Groomer Has It at the gym, I haven't had the chance to discover anything new.
And yet, after seeing a clip of Your Mama Don't Dance on The Soup, I wasn't entirely convinced that the show was not a joke. Naturally, I DVR'd the remaining season and was horrified/delighted to learn that the show is, in fact, real. It's a cheesy, low-budget basic cable ripoff of an already cheesy, low-budget big network smash, Dancing With The Stars (and Mama's host, Ian Ziering, comes directly off a stint on Stars, not coincidentally).
I have long worshiped the cultural practice of Mom Dancing. There really is nothing better than attending a formal event and witnessing hordes of middle-aged women in floral blouses and beige slacks take to the floor to awkwardly shuffle, twist and turn through every volume of Jock Jams. Heck, it doesn't matter if it's The Bee Gees or The Black Eyed Peas - if there's a rhythmic pattern a Mom can defy with unsynchronized arm gestures and blind confidence, she's on it like white on rice.
My favorite team, Jesse and Rebecca (the former specializing in "street moves," the latter specializing in "watching Jesse").
As if that weren't enough, Mama also includes downright silliness in its Father-Daughter competitors. Although there are plenty of vaguely sexual interludes, this clip of Noel and Doug is so earnest that its weirdness is almost sweet. Almost (the faux fauxhawks are a bit much).
While many would argue that The Moment Of Truth has redefined the lowest common denominator in television programming, I think that Your Mama Don't Dance ups the ante. It's one thing for Steve Gutenberg to flaunt his D-list status by reminding the public that he exists, dancing skills be damned. But it's something else entirely when ordinary Americans, whose children dream of appearing in the national tour of Mamma Mia, agree to be dragged onto national TV to physically demolish a karaoke version of "Grease Is The Word."
P.S. How could I not love a show whose role of top judge is filled by the unflappable Ben Vereen (I say "unflappable" because anyone who voluntarily appears on television in a collarless tweed and isn't a Muppet is not someone you want to meet in a dark alley)? His nods to Bob Fosse and usage of the word "musicality" when describing the clunky footwork of the contestants are brilliant, and if he doesn't get to publicly dust off those white evening gloves from Pippin during the show's finale, I might just be forced to blow up Lifetime HQ.
Check out more videos from Your Mama Don't Dance at Lifetime.
Riding the subway next to a woman whose voice is oddly familiar, until you realize it's the co-host of your favorite NPR show.
(P.S. Um, she's not Black! Who knew!?)
Anthony Bourdain is looking for a somebody to help plan, produce, and co-host an episode of No Reservations for Travel Channel.
We at the ABNR office have been culling through tons and tons of viewer-submitted videos, and similar themes surface throughout almost all of them: Suburban America is depressing, and most Americans can't be bothered to shoot on anything that isn't a Canovision 8mm.
Here, in all its glory, is the saddest video of all, one that simultaneously incorporates death, guilt, mispronunciation, and a killer hair-do modeled after Vanna White's look at the 1988 Daytime Emmy Awards.
I interviewed Gallagher.
His publicist sent me that photo to use.
Again, I interviewed Gallagher.
And he's crazybones.
I suffered from food poisoning this weekend. Not the awful kind where you're diminished to nothing less than an uncapped, 2-way fire hydrant (where "water" is poo and vomit), but it was like a "fake" poisoning where I couldn't produce anything besides cold chills and a really boring Saturday night.
Now that I'm slowly regaining the ability to drink chocolate soy milk again, I've found a website I'm very much able to stomach.
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